African American Folk Healing

الغلاف الأمامي
NYU Press, 2007 - 189 من الصفحات

Cure a nosebleed by holding a silver quarter on the back of the neck. Treat an earache with sweet oil drops. Wear plant roots to keep from catching colds. Within many African American families, these kinds of practices continue today, woven into the fabric of black culture, often communicated through women. Such folk practices shape the concepts about healing that are diffused throughout African American communities and are expressed in myriad ways, from faith healing to making a mojo.
Stephanie Y. Mitchem presents a fascinating study of African American healing. She sheds light on a variety of folk practices and traces their development from the time of slavery through the Great Migrations. She explores how they have continued into the present and their relationship with alternative medicines. Through conversations with black Americans, she demonstrates how herbs, charms, and rituals continue folk healing performances. Mitchem shows that these practices are not simply about healing; they are linked to expressions of faith, delineating aspects of a holistic epistemology and pointing to disjunctures between African American views of wellness and illness and those of the culture of institutional medicine.

من داخل الكتاب

المحتوى

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11
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34
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77
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99
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119
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141
Conclusion
163
Notes
169
Bibliography
181
حقوق النشر

طبعات أخرى - عرض جميع المقتطفات

عبارات ومصطلحات مألوفة

مقاطع مشهورة

الصفحة 106 - It is a peculiar sensation, this doubleconsciousness, this sense of always looking at one's self through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity.
الصفحة 106 - He simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.
الصفحة 105 - What is Africa to me: Copper sun or scarlet sea, Jungle star or jungle track, Strong bronzed men, or regal black Women from whose loins I sprang When the birds of Eden sang? One three centuries removed From the scenes his fathers loved, Spicy grove, cinnamon tree, What is Africa to me?
الصفحة 106 - ... raised but confusion and doubt in the soul of the black artist; for the beauty revealed to him was the soul-beauty of a race which his larger audience despised, and he could not articulate the message of another people.
الصفحة 102 - For the blues are not primarily concerned with civil rights or obvious political protest; they are an art form and thus a transcendence of those conditions created within the Negro community by the denial of social justice.
الصفحة 44 - Fear not the number and education of our enemies, against whom we shall have to contend for our lawful right ; guaranteed to us by our Maker ; for why should we be afraid, when God is, and will continue, (if we continue humble) to be on our side? The man who would not fight under our Lord and Master Jesus Christ, in the glorious and heavenly cause of freedom and of God — to...
الصفحة 106 - This, then, is the end of his striving; to be a co-worker in the kingdom of culture, to escape both death and isolation, to husband and use his best powers and his latent genius.
الصفحة 31 - The device is designed to remind white consciousness that black men and women are mis-speakers bereft of humanity — carefree devils strumming and humming all day — unless, in a gaslight misidentification, they are violent devils fit for lynching, a final exorcism that will leave whites...
الصفحة 69 - I have been amazed by the Anglo-Saxon's lack of curiosity about the internal lives and emotions of the Negroes, and for that matter, any nonAnglo-Saxon peoples within our borders, above the class of unskilled labor.

نبذة عن المؤلف (2007)

Stephanie Mitchem is associate professor of religious studies and women's studies at the University of South Carolina. She is the author of Introducing Womanist Theology, as well as African American Women Tapping Power and Spiritual Wellness.

معلومات المراجع