Here same kind might be said. and there we find a few verses of singular originality, and some short poems which have become general favourites. But when these have been seized on and collected, there is left a large residue simply unintelligible. What became of that "immense poem " we heard of, and which was composed without the least effort, we do not know. Such specimens as we have here of his more ambitious efforts, or his more mystical strains, would not prompt us to make any inquiries after it. 'The Tiger and the Lamb,' and two or three other short poems, remarkable for their pathos and true simplicity, are so well known that we have no excuse for quoting them at present. Blake took the sweeper, "a little black thing among the snow," especially under his kindly protection, and it would be pleasant to think that his verse may have had some influence in mitigating the lot of those little unfortunates. The 'Songs of Innocence,' and the 'Songs of Experience,' which he published early in his career, and in a most curious and original fashion, contain almost all that has given to Blake the title of poet. And it would be still possible to make extracts from them which would be both new and interesting to the generality of readers. We must not omit to quote from Mr Gilchrist the account he gives us of the manner in which these songs and their illustrations were printed or executed : "The method to which Blake henceforth consistently adhered for multiplying his works was quite an original one. It consisted in a species of engraving in relief both words and designs. The verse was written, and the designs and marginal embellishments outlined on the copper with an impervious liquid, probably the ordinary stopping-out varnish of engravers. Then all the white part in lights-the remainder of the plate, that is-were eaten away with aquafortis or other acid, so that the outline of letter and design was left prominent as in stereotpye. From these plates he printed off in any tintyellow, brown, blue-required to be the prevailing or ground colour in his facsimiles; red he used for the letterpress. The page was then coloured up by hand in imitation of the original drawing, with more or less variety of detail in the local hues. "He taught Mrs Blake to take off the impressions with care and delicacy, which such plates signally needed, and also to help in tinting them from his drawings with right artistic feeling; in all which tasks she, to her honour, much delighted. The size of the plate was small, for the sake of economising copper-something under five inches by three. The number of engraved pages in the 'Songs of Innocence' alone was twenty-seven. They were done up in boards by Mrs Blake's hand, forming a small octavo; so that the poet and his wife did everything in making the book-writing, designing, printing, engraving-everything except manufacturing the paper; the very ink or colour they did make. Never before, surely, was a man so literally the author of his own book." The prints we have here from the 'Songs of Innocence' and the 'Songs of Experience,' present the same appearance as Blake's copy before it had been coloured. How much of the effect of expression was left to be given in the colouring we cannot say, not having seen the original. Such as they are here, we find ourselves looking over them with an increasing pleasure. The few poems of Blake that are well known are not those on which any peculiarity of philosophic or religious thought is noticeable. The following perhaps is a good specimen of this class. Probably it will receive different interpretations from different readers. Some, perhaps, may find in it a meaning more profound than consolatory : THE DIVINE IMAGE. "To mercy, pity, peace, and love, For mercy, pity, peace, and love, For mercy has a human heart, That prays in his distress, And all must love the human form Here is another which is of a bold and thoughtful character : THE LITTLE BOY LOST. A greater than itself to know. That picks up crumbs around the The priest sat by and heard the child; In trembling zeal he seized his hair, He led him by his little coat, And all admired the priestly care. And standing on the altar high, The weeping child could not be heard, On Many single stanzas might be collected from other poems, which, in their entirety, it would be tedious to quote - stanzas distinguished sometimes by a tender feeling, sometimes by a hardihood of thought. As we have already remarked, he is very watchful over the heresy of others-barks with a most needless ferocity at any footstep which he thinks is treading on forbidden ground, but permits an unfettered licence to himself. this point, however, we are not about to raise any quarrel with Blake. He was a good man, and had some of the elements of greatness in him. He is better deserving, perhaps, of being held in memory than some others of worldwide reputation. We have occupied all the space we could devote to the subject, or we should have felt a pleasure in gleaning still further amongst his poetical fragments. MISS MARJORIBANKS did not leave the contralto any time to recover from her surprise; she went up to her direct where she stood, with her song arrested on her lips, as she had risen hastily from the piano. "Is it Rose?" said Lucilla, going forward with the most eager cordiality, and holding out both her hands; though, to be sure, she knew very well it was not Rose, who was about half the height of the singer, and was known to everybody in Mount Pleasant to be utterly innocent of a voice. "No," said Miss Lake, who was much astonished and startled and offended, as was unfortunately rather her custom. She was a young woman without any of those instincts of politeness which make some people pleasant in spite of themselves; and she added nothing to soften this abrupt negative, but drew her hands away from the stranger and stood bolt upright, looking at her, with a burning blush, caused by temper much more than by embarrassment, on her face. Then," said Lucilla, dropping lightly into the most comfortable chair she could get sight of in the bare little parlour, "it is Barbara -and that is a great deal better; Rose is a good little thing, but she is different, you know. It is so odd you should not remember me; I thought everybody knew me in Carlingford. You know I have been a long time away, and now I have come home for good. Your voice is just the very thing to go with mine was it not a lucky thing that I should have passed just at the right moment? I don't know how it is, but somehow these lucky chances always happen to me. I Lucilla Marjoribanks, you am know." "Indeed!" said Barbara, who had not the least intention of being civil, "I did not recognise you in the least." "Yes, I remember you were always shortsighted a little," said Miss Marjoribanks, calmly. "I should so like if we could try a duet. I have been having lessons in Italy, you know, and I am sure I could give you a few hints. I always like, when I can, to be of use. Tell me what songs you have that we could sing together. You know, my dear, it is not as if I was asking you for mere amusement to myself; my grand object in life is to be a comfort to papa "Do you mean Dr Marjoribanks?" said the uncivil Barbara. "I am sure he does not care in the least for music. I think you must be making a mistake "Oh no," said Lucilla, "I never make mistakes. I don't mean to sing to him, you know; but you are just the very person I wanted. As for the ridiculous idea some people have that nobody can be called on who does not live in Grange Lane, I assure you I mean to make an end of that. Of course I cannot commence just all in a moment. But it would always be an advantage to practise a little together. I like to know exactly how far one can calculate upon everybody; then one can tell, without fear of breaking down, just what one may venture to do." "I don't understand in the least," said Barbara, whose pride was up in arms. "Perhaps you think I am a professional singer?" "My dear, a professional singer spoils everything," said Miss Marjoribanks; "it changes the character of an evening altogether. There are so few people who understand that. When you have professional singers, you have to give yourself up to music; and that is not my view in the least. My great aim, as all my friends are aware, is to be a comfort to dear papa.' "I wish you would not talk in riddles," said Lucilla's amazed and indignant companion, in her round rich contralto. "I suppose you really are Miss Marjoribanks. I have always heard that Miss Marjoribanks was a little "There!" said Lucilla, triumphantly; "really it is almost like a recitativo to hear you speak. I am so glad. What have you got there? Oh, to be sure, it's that duet out of the Trovatore. Do let us try it; there is nobody here, and everything is so convenient and you know it would never do to risk a breakdown. Will you play the accompaniment, or shall I?" said Miss Marjoribanks, taking off her gloves. As for the drawingmaster's daughter, she stood aghast, lost in such sudden bewilderment and perplexity that she could find no words to reply. She was not in the least amiable or yielding by nature; but Lucilla took it so much as a matter of course that Barbara could not find a word to say; and before she could be sure that it was real, Miss Marjoribanks had seated herself at the piano. Barbara was so obstinate that she would not sing the first part, which ought to have been hers; but she was not clever enough for her antagonist. Lucilla sang her part by herself gallantly; and when it came to Barbara's turn the second time, Miss Marjoribanks essayed the second in a false voice, which drove the contralto off her guard; and then the magnificent volume of sound flowed forth, grand enough to have filled Lucilla with envy if she had not been sustained by that sublime confidence in herself which is the first necessity to a woman with a mission. She paused a moment in the accompaniment to clap her hands after that strophe was accomplished, and then resumed with energy. For, to be sure, she knew by instinct VOL. XCVII.-NO. DXCIII. what sort of clay the people were made of by whom she had to work, and gave them their reward with that liberality and discrimination which is the glory of enlightened despotism. Miss Marjoribanks was naturally elated when she had performed this important and successful tour. She got up from the piano, and closed it in her open, imperial way. "I do not want to tire you, you know," she said; "that will do for to-day. I told you your voice was the very thing to go with mine. Give my love to Rose when she comes in, but don't bring her with you when you come to me. She is a good little thing-but then she is different, you know," said the bland Lucilla; and she held out her hand to her captive graciously, and gathered up her parasol, which she had left on her chair. Barbara Lake let her visitor go after this, with a sense that she had fallen asleep, and had dreamt it all; but, after all, there was something in the visit which was not disagreeable when she came to think it over. The drawing-master was poor, and he had a quantity of children, as was natural, and Barbara had never forgiven her mother for dying just at the moment when she had a chance of seeing a little of what she called the world. At that time Mr Lake and his portfolio of drawings were asked out frequently to tea; and when he had pupils in the family, some kind people asked him to bring one of his daughters with him-so that Barbara, who was ambitious, had beheld herself for a month or two almost on the threshold of Grange Lane. And it was at this moment of all others, just at the same time as Mrs Marjoribanks finished her pale career, that poor Mrs Lake thought fit to die, to the injury of her daughter's pros. pects and the destruction of her hopes. Naturally Barbara had never quite forgiven that injury. It was this sense of having been ill-used which made her so resolute about sending Rose to Mount Y Pleasant, though the poor little girl did not in the least want to go, and was very happy helping her papa at the School of Design. But Barbara saw no reason why Rose should be happy, while she herself had to resign her inclinations and look after a set of odious children. To be sure, it was a little hard upon a young woman of a proper ambition, who knew she was handsome, to fall back into housekeeping, and consent to remain unseen and unheard; for Barbara was also aware that she had a remarkable voice. In these circumstances it may be imagined that, after the first movement of a passionate temper was over, when she had taken breath, and had time to consider this sudden and extraordinary visit, a glimmer of hope and interest penetrated into the bosom of the gloomy girl. She was two years older than Miss Marjoribanks, and as different in "style" as she was in voice. She was not stout as yet, though it is the nature of a contralto to be stout; but she was tall, with all due opportunity for that development which might come later. And then Barbara possessed a kind of beauty, the beauty of a passionate and somewhat sullen brunette, dark and glowing, with straight black eyebrows, very dark and very straight, which gave oddly enough a suggestion of oblique vision to her eyes; but her eyes were not in the least oblique, and looked at you straight from under that black line of shadow with no doubtful expression. She was shy in a kind of way, as was natural to a young woman who had never seen any society, and felt herself, on the whole, injured and unappreciated. But no two things could be more different than this shyness which made Barbara look you straight in the face with a kind of scared defiance, and the sweet shyness that pleaded for kind treatment in the soft eyes of little Rose, who was plain, and had the oddest longing to make people comfortable, and please them in her way, which, to be sure, was not always successful. Barbara sat down on the stool before the piano, which Miss Marjoribanks had been so obliging as to close, and thought it all over with growing excitement. No doubt it was a little puzzling to make out how the discovery of a fine contralto, and the possibility of getting up unlimited duets, could further Lucilla in the great aim of her life, which was to be a comfort to her dear papa. But Barbara was like a young soldier of fortune, ready to take a great deal for granted, and to swallow much that was mysterious in the programme of the adventurous general who might lead her on to glory. In half an hour her dreams had gone so far that she saw herself receiving in Miss Marjoribanks's drawing-room the homage, not only of Grange Lane, but even of the county families who would be attracted by rumours of her wonderful performance; and Barbara was, to her own consciousness, walking up the middle aisle of Carlingford Church in a veil of real Brussels, before little Mr Lake came in, hungry and good-tempered, from his round. To be sure, she had not concluded who was to be the bridegroom; but that was one of those matters of detail which could not be precisely concluded on till the time. Such was the immediate result, so far as this secondary personage was concerned, of Lucilla's masterly impromptu ; and it is needless to say that the accomplished warrior, who had her wits always about her, and had made, while engaged in a simple reconnaissance, so brilliant and successful a capture, withdrew from the scene still more entirely satisfied with . herself. Nothing, indeed, could have come more opportunely for Lucilla, who pos sessed in perfection that faculty of throwing herself into the future, and anticipating the difficulties of a position, which is so valuable to all who aspire to be leaders of |