On EloquenceYale University Press, 2008 - 199 من الصفحات "On Eloquence" questions the common assumption that eloquence is merely a subset of rhetoric, a means toward a rhetorical end. Denis Donoghue, an eminent and prolific critic of the English language, holds that this assumption is erroneous. While rhetoric is the use of language to persuade people to do one thing rather than another, Donoghue maintains that eloquence is gratuitous, ideally autonomous, in speech and writing an upsurge of creative vitality for its own sake. He offers many instances of eloquence in words, and suggests the forms our appreciation of them should take.Donoghue argues persuasively that eloquence matters, that we should indeed care about it. Because we should care about any instances of freedom, independence, creative force, "sprezzatura," he says, especially when we liveperhaps this is increasingly the casein a culture of the same, featuring official attitudes, stereotypes of the officially enforced values, sedated language, a politics of pacification. A noteworthy addition to Donoghue s long-term project to reclaim a disinterested appreciation of literature "as literature," this volume is a wise and pleasurable meditation on eloquence, its unique ability to move or give pleasure, and its intrinsic value." |
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الصفحة 3
... quence does not vex its own creation . Delighting in difference , it opposes - but without argument - the otherwise omnivorous culture of the same . We value it as a sign of such freedom as we are ever likely to enjoy . It is commonly ...
... quence does not vex its own creation . Delighting in difference , it opposes - but without argument - the otherwise omnivorous culture of the same . We value it as a sign of such freedom as we are ever likely to enjoy . It is commonly ...
الصفحة 4
... quence arises , we recognize it as a discovery within the medium itself , free of every rhetorical motive , an expressive act come upon as if by the way and with no intent of its being sought . To appreciate eloquence is an intelligent ...
... quence arises , we recognize it as a discovery within the medium itself , free of every rhetorical motive , an expressive act come upon as if by the way and with no intent of its being sought . To appreciate eloquence is an intelligent ...
الصفحة 40
... , Roger Federer's tennis , Astaire's dancing , Fischer - Dieskau's lieder , Daniel Web- ster's oratory , someone's way of walking along the street . Elo- quence is akin to style , except that it is 40 / The Latin Factor.
... , Roger Federer's tennis , Astaire's dancing , Fischer - Dieskau's lieder , Daniel Web- ster's oratory , someone's way of walking along the street . Elo- quence is akin to style , except that it is 40 / The Latin Factor.
المحتوى
Taking Notes | 1 |
The Latin Factor | 21 |
Song Without Words | 44 |
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Adorno Aeneas agile with temporal Bartleby Bartleby's blue Browne's Cambridge catachresis chapter claim Collected Poems context culture Dante Dante's death Derrida Dido Donne English Language Essays expression eyes feeling Finnegans Wake Flaubert Geoffrey Hill gesture gives Guy Davenport Gweneth Hugh Kenner human Hydriotaphia Ibid imagination John John Donne Kenneth Burke King knock Lady Macbeth last line Latin literary Literature live Locke London Madame Bovary means mind modern night one's Ophelia Oxford passion phrase play pleasure poet poetry Professor Hogan prose quence R. P. Blackmur reading reason rhetoric rhyme rhythm seems sense sentence Shakespeare silence song without words soul sounds speak speech stanza Stevens story style sweet syllable T. S. Eliot take the train talk temporal intervals things thought tion trans translation tree University Press verbal W. B. Yeats William Empson Woolf writing Yeats