On EloquenceYale University Press, 2008 - 199 من الصفحات "On Eloquence" questions the common assumption that eloquence is merely a subset of rhetoric, a means toward a rhetorical end. Denis Donoghue, an eminent and prolific critic of the English language, holds that this assumption is erroneous. While rhetoric is the use of language to persuade people to do one thing rather than another, Donoghue maintains that eloquence is gratuitous, ideally autonomous, in speech and writing an upsurge of creative vitality for its own sake. He offers many instances of eloquence in words, and suggests the forms our appreciation of them should take.Donoghue argues persuasively that eloquence matters, that we should indeed care about it. Because we should care about any instances of freedom, independence, creative force, "sprezzatura," he says, especially when we liveperhaps this is increasingly the casein a culture of the same, featuring official attitudes, stereotypes of the officially enforced values, sedated language, a politics of pacification. A noteworthy addition to Donoghue s long-term project to reclaim a disinterested appreciation of literature "as literature," this volume is a wise and pleasurable meditation on eloquence, its unique ability to move or give pleasure, and its intrinsic value." |
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الصفحة 66
... Aeneas's excuses in book VI of the Aeneid . In book IV she and Aeneas have become lovers , in an episode carefully arranged by Venus . Dido is passionately in love with Aeneas , but his love is such that it can take second place to his ...
... Aeneas's excuses in book VI of the Aeneid . In book IV she and Aeneas have become lovers , in an episode carefully arranged by Venus . Dido is passionately in love with Aeneas , but his love is such that it can take second place to his ...
الصفحة 67
... Aeneas has put to sea , Dido throws herself on her sword . In book VI Dido is in Hell . Aeneas addresses her , insisting that he had not intended to leave her but that the gods ' orders could not be disobeyed . Besides , he did not ...
... Aeneas has put to sea , Dido throws herself on her sword . In book VI Dido is in Hell . Aeneas addresses her , insisting that he had not intended to leave her but that the gods ' orders could not be disobeyed . Besides , he did not ...
الصفحة 68
... Aeneas . Dido's be- haviour appears almost as a projection of Aeneas's own conscience : this , we feel , is the way in which Aeneas's conscience would expect Dido to behave to him . The point , it seems to me , is not that Dido is ...
... Aeneas . Dido's be- haviour appears almost as a projection of Aeneas's own conscience : this , we feel , is the way in which Aeneas's conscience would expect Dido to behave to him . The point , it seems to me , is not that Dido is ...
المحتوى
Taking Notes | 1 |
The Latin Factor | 21 |
Song Without Words | 44 |
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عبارات ومصطلحات مألوفة
Adorno Aeneas agile with temporal Bartleby Bartleby's blue Browne's Cambridge catachresis chapter claim Collected Poems context culture Dante Dante's death Derrida Dido Donne English Language Essays expression eyes feeling Finnegans Wake Flaubert Geoffrey Hill gesture gives Guy Davenport Gweneth Hugh Kenner human Hydriotaphia Ibid imagination John John Donne Kenneth Burke King knock Lady Macbeth last line Latin literary Literature live Locke London Madame Bovary means mind modern night one's Ophelia Oxford passion phrase play pleasure poet poetry Professor Hogan prose quence R. P. Blackmur reading reason rhetoric rhyme rhythm seems sense sentence Shakespeare silence song without words soul sounds speak speech stanza Stevens story style sweet syllable T. S. Eliot take the train talk temporal intervals things thought tion trans translation tree University Press verbal W. B. Yeats William Empson Woolf writing Yeats