chambers, and all loudly expressed their approbation, but not one ever enquired the price; and his imagination, which had been elevated in Italy to emulate the conceptions of those celebrated men who have given a second existence to the great events of religion, history, and poetry, was allowed in England to languish over the unmeaning faces of portrait-customers. It seemed to be thought that the genius of the Artist could in no other way be encouraged, than by his friends sitting for their own likenesses, and paying liberally for them. The moral influence of the art was unfelt and unknown; nor can a more impressive instance of this historical truth be adduced, than the following anecdote of Hogarth, which Garrick himself related to Mr. West.

When that artist had published the plates of the Election, he wished to dispose of the paintings, and proposed to do so by a raffle of two hundred chances, at two guineas the stake; to be determined on an appointed day. Among a small number of subscribers, not half what Hogarth expected, Garrick had put down

C

his name; and when the day arrived he went to the artist's house to throw for his chance. After waiting a considerable time no other person appeared, and Hogarth felt this neglect not only as derogatory to his profession, but implying that the subscription had something in in it of a mendicant character. Vexed by such a mortifying result of a plan which he had sanguinely hoped would prove, at least, a morning's amusement to the fashionable subscribers, he insisted that, as they had not attended, nor even sent any request to him to throw for them, that Garrick should go through the formality of throwing the dice; but only for himself. The actor for some time opposed the irritated artist; but at last consented. Instead, however, of allowing Hogarth to send them home, he begged that they might be carefully packed up, until his servant should call for them; and on returning to his house, he dispatched a note to the painter, stating that he could not persuade himself to remove works so valuable and admired, without acquitting his conscience of an obligation due to the author and to his own good fortune in obtaining them. And knowing

the humour of the person he addressed, and that if he had sent a cheque for the money

it would in all probability be returned, he informed him that he had transferred two hundred guineas at his bankers, which would remain at the disposal of Hogarth or his heirs, whether it was or was not then accepted. The charge of habitual parsimony against Garrick was not well founded; and this incident shows that he knew when to be properly munificent. In the acquisition and management of his affluent fortune, it would have been more correct to have praised him for a judicious system of economy, than to have censured him for meanness. It ought to have been considered, that he was professionally required to deal with a class of persons not famed for prudence in pecuniary concerns, and to whom the methodical disbursements of most private gentlemen would probably have appeared penurious.

CHAP. III.

Archbishop Drummond's Address in procuring for Mr. West the Patronage of the King.—Singular Court Anecdote of a Lady of Fashion.- Character of the King in his Youth. -Anecdotes of the King and Queen.- The King employs Mr. West to paint the Departure of Regulus.- Mr. West's Celebrity as a Skater.- Anecdote of Lord Howe. — His Fame as a Skater of great Service in his professional Success.

THE coldness with which Archbishop Drummond's scheme for raising three thousand guineas had been received by the persons to whom he had applied, and the prejudice which he found almost universally entertained against the efforts of living genius, chagrined him exceedingly. He regarded the failure as a stigma on the age, and on his country; and, as a public man, he thought it affected himself personally. With this feeling, he declared to the gentlemen who had exerted themselves in the business, that he saw no way of engrafting a taste for the fine arts on the British public, unless the King could be so far engaged in the

attempt, as to make it fashionable to employ living artists, according to the bent of their respective talents. But, about this period, the affair of Wilkes agitated the nation; and the Duke of Portland and Lord Rockingham, who were among the most strenuous of Mr. West's friends, being both of the Whig party, undervalued the importance attached to His Majesty's influence and countenance. The Archbishop was not, however, discouraged by their political prejudices; on the contrary, he thought that His Majesty was one of those characters who require to be personally interested in what it is desired they should undertake; and he resolved to make the attempt. The address with which His Grace managed the business, evinced great knowledge of human nature, and affords a pleasing view of the ingenuousness of the King's disposition.

When the picture of Agrippina was finished, the Archbishop invited the most distinguished artists and amateurs to give him their opinion of the work; and satisfied by the approbation which they all expressed, he went to court, and took an opportunity of speaking on the subject to the