Rococo to Cubism in Art and Literature

abstract aesthetic André Gide appear arabesque architecture Art Nouveau artist atmosphere baroque Baudelaire Baudelaire's beauty Cézanne cinematic color composition consciousness contemporary contours cubist cubist painting decorative Degas Delacroix drama dream eighteenth century emotion essay existence experience fauvist feeling fiction figures Gauguin genre pittoresque Gertrude Stein Gide Gide's gothic harmony idea illusion imagination impressionism impressionists Ingres Japanese landscape language light Mallarmé mannerist Maurice Denis means mediaeval ment mind mode modern Monet montage motif Nabis nature neo-rococo nineteenth notion novel object ornamental painters Paris passages reprinted perspective phase Picasso picturesque Pirandello planes poem poet poetic poetry Pope Pope's post-impressionism pre-Raphaelite realism reality Redon relation renaissance representation rhythms rococo romantic romanticism Rossetti Ruskin says scene seems sense shadows Shelley space style stylization surface symbolism symbolist T. E. Hulme T. S. Eliot tachism technique texture theory things thought tion Turner Valéry verse vision Watteau's whole Wordsworth wrote